

{"id":4981,"date":"2010-01-08T13:47:44","date_gmt":"2010-01-08T13:47:44","guid":{"rendered":"http:\/\/www.thejoycollective.co.uk\/blog\/?p=4981"},"modified":"2010-01-08T13:47:44","modified_gmt":"2010-01-08T13:47:44","slug":"underpass-disorienteering-urban-planning-records","status":"publish","type":"post","link":"https:\/\/jonnyjaniero.com\/thejoycollective\/review\/underpass-disorienteering-urban-planning-records\/","title":{"rendered":"Underpass &#8211; &#8216;Disorienteering&#8217; (Urban Planning Records)"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-4985\" title=\"It really is pretty good.\" src=\"http:\/\/jonnyjaniero.wpengine.com\/thejoycollectivewp-content\/uploads\/sites\/2\/disorienteering.jpg\" alt=\"It really is pretty good.\" width=\"331\" height=\"331\" srcset=\"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-content\/uploads\/sites\/2\/disorienteering.jpg 331w, https:\/\/jonnyjaniero.com\/thejoycollective\/wp-content\/uploads\/sites\/2\/disorienteering-208x208.jpg 208w, https:\/\/jonnyjaniero.com\/thejoycollective\/wp-content\/uploads\/sites\/2\/disorienteering-300x300.jpg 300w, https:\/\/jonnyjaniero.com\/thejoycollective\/wp-content\/uploads\/sites\/2\/disorienteering-50x50.jpg 50w, https:\/\/jonnyjaniero.com\/thejoycollective\/wp-content\/uploads\/sites\/2\/disorienteering-187x187.jpg 187w\" sizes=\"auto, (max-width: 331px) 100vw, 331px\" \/>There&#8217;s a track on this, the excellent debut album from Cardiff&#8217;s sonic boffin Underpass, called &#8216;Electric Legoland&#8217;. It&#8217;s perfectly named: miniature blocks of primary colours beep and scrape, stab and whirr around the plushly crumpled beats, circling, stacking and rearranging themselves to great, itchy effect. It&#8217;s the most glitchy, abrasive song on &#8216;Disorienteering&#8217;, but even so, fits in perfectly with the self-contained air of mangled opulence, an atmosphere that manages to combine lushly crafted layers of sound with fidgety noises that nibble like gremlins.<\/p>\n<p>It&#8217;s a long, enveloping listen. The first half is a relentless succession of feel-the-quality electronica ghosters, and if there&#8217;s a slight lack of variety in the &#8220;sonic swathes with beats that kick in, drop off, then kick back in&#8221; template you can at least luxuriate in the woozy, propulsive smartness on offer. There&#8217;s a fair amount of guitar here too, though it mostly creeps in as one more layer in the addictive mix of gleaming sounds and tetchy snags.<\/p>\n<p>It&#8217;s in the darker second half that &#8216;Disorienteering&#8217; drops its heaviest payloads. Two songs feature serial collaborator and Right Hand Left Hand\/Ratatosk dude Rhodri Viney on vocals and guitar, and while &#8216;ZombiesAteMySadness&#8217; wrings great, quiet pathos from its bleak and insistent murmuring, &#8216;Hold Your Dreams In&#8217; is pretty phenomenal: soft, Mogwai-style vocals over machine hum and rolling guitar lines lead to the title repeated over and over as bleeps swoop and hassle the refrain. It&#8217;s sad and beautiful and brilliant. Bonus track &#8216;Man Of The World&#8217; almost tops it though: the Peter Green-era Fleetwood Mac song shorn of any hippy self loathing and recast as a bright flare of colour, the main riff fizzing and heading into the sky. A giddy end to an hour of substantial, big hearted machine music. You&#8217;re advised to buy.<\/p>\n<p>(CD released in shops 25th of January, or you can buy now from <a href=\"http:\/\/underpass.org.uk\/\" target=\"_blank\">http:\/\/underpass.org.uk\/<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>There&#8217;s a track on this, the excellent debut album from Cardiff&#8217;s sonic boffin Underpass, called &#8216;Electric Legoland&#8217;. It&#8217;s perfectly named: miniature blocks of primary colours beep and scrape, stab and whirr around the plushly crumpled beats, circling, stacking and rearranging themselves to great, itchy effect. It&#8217;s the most glitchy, abrasive song on &#8216;Disorienteering&#8217;, but even [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[747,459],"tags":[1032,1030,1037],"class_list":["post-4981","post","type-post","status-publish","format-standard","hentry","category-releases","category-review","tag-rhodri-viney","tag-underpass","tag-urban-planning-records"],"acf":[],"_links":{"self":[{"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/posts\/4981","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/comments?post=4981"}],"version-history":[{"count":0,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/posts\/4981\/revisions"}],"wp:attachment":[{"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/media?parent=4981"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/categories?post=4981"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/tags?post=4981"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}