{"id":24114,"date":"2012-09-27T13:46:15","date_gmt":"2012-09-27T13:46:15","guid":{"rendered":"http:\/\/www.thejoycollective.co.uk\/blog\/?p=24114"},"modified":"2012-09-27T20:30:45","modified_gmt":"2012-09-27T20:30:45","slug":"merthyr-rock-cyfarthfa-park-merthyr-tydfil-01-09-12-02-09-12","status":"publish","type":"post","link":"https:\/\/jonnyjaniero.com\/thejoycollective\/review\/merthyr-rock-cyfarthfa-park-merthyr-tydfil-01-09-12-02-09-12\/","title":{"rendered":"MERTHYR ROCK: CYFARTHFA PARK, MERTHYR TYDFIL: 01.09.12-02.09.12"},"content":{"rendered":"

\"\"<\/a><\/p>\n

SATURDAY<\/strong><\/p>\n

After a promising first year, Merthyr Rock returns to the picturesque surroundings of Cyfarthfa Castle, now able to attract an even higher calibre of established band and shine an even brighter spotlight on Welsh and British emerging talent.<\/p>\n

It falls to Dopamine<\/strong> to kick Saturday off and the local favourites do a solid job, their chugging post-hardcore and soaring melodies prompting the first mass singalong of the day.<\/p>\n

Manchester\u2019s Sonic Boom Six<\/strong>, on the other hand, feel like a band in transition, phasing out the 70s punk elements of their sound in favour of a bombastic sheen which, when it hits, recalls Skindred and Sona Fariq, but too often veers into Cher Lloyd bubblegum pop territory.<\/p>\n

Over on the James McLaren Stage (named after the talented rock scribe who recently died far too young) Bastions<\/strong> bring some brutality to proceedings with their stark and visceral hardcore. About the only North Wales band taking their cues from Will Haven rather than Super Furry Animals, they incite the first circle pit, and frontman Jamie Burne bares his soul with heartbreaking intensity.<\/p>\n

Emerging to the crooning strains of \u2018Thank Heaven For Little Girls\u2019, dual bass sleaze-groovers Exit_International<\/strong> proceed to pound the growing crowd into glorious submission. Scott Andrews revels in his role as local-boy-done-good and the impressive trio of new songs aired signals a filthier and<\/em> poppier future, so the genuine crossover success of Death From Above 1979 surely beckons.<\/p>\n

Back on the Main Stage, Yashin<\/strong> are a band hitting their stride and, although their brand of twin vocal glam metalcore is painfully on trend, they get the pit chanting and swirling with undeniable confidence.<\/p>\n

Save Your Breath<\/strong> can\u2019t quite match Yashin for swagger \u2013 their early Brand New-isms perhaps lacking the originality to truly set them apart \u2013 but they still make a valiant effort to keep the festival buoyant as night descends.<\/p>\n

Pulled Apart By Horses<\/strong>, meanwhile, are fast evolving into a hulking beast of QOTSA proportions. Their supremely well-paced set fuses goodtime groove\u2018n\u2019roll with Sub Pop scuzzcore until everyone is screaming \u201cI\u2019ll make you dance with my balls on fire!\u201d with majestic abandon.<\/p>\n

The stage is set then, for one of the UK\u2019s best live bands to seize the day, and Skindred<\/strong> do not disappoint \u2013 uniting every clan of this audience in a way no dub-ragga-rap-metal band has the right to. \u2018Newport helicopters\u2019 abound, and Merthyr Rock sits comfortably in the palm of Benji Webbe\u2019s hand throughout. His talented band may provide the petrol, but it is Webbe \u2013 a man who could teach charisma how to be more appealing \u2013 that is the relentless engine propelling this festival skyward. Triumphant.<\/p>\n

 <\/p>\n

SUNDAY<\/strong><\/p>\n

Merthyr\u2019s Buried In Alaska<\/strong> couple Hatebreed\u2019s savagery with the thrash of Exodus in the aural equivalent of waking up halfway through a fight, sandblasting any lingering hangovers and even raising a smile with a Backstreet Boys cover.<\/p>\n

A saunter over to the Main Stage reveals The James Cleaver Quintet<\/strong>\u2019s bounding chaos in full flow, melding Big Black, Blood Brothers and Every Time I Die into something bizarrely sexual and British. It is one of the more impressive displays of the festival \u2013 the band punctuating reverb heavy atmospherics with smash grab robberies of art noise punk with tantalising aplomb.<\/strong><\/p>\n

Blowgoat <\/strong>are no strangers to chaos either, their boozy punk\u2018n\u2019roll the perfect soundtrack as marauding frontman Paul Davies \u2013 Matt Caughthran\u2019s violent, bleeding brother \u2013 stalks the field and everyone in it, screaming with gut-busting venom and generally fucking shit up.<\/strong><\/p>\n

There\u2019s little bite or edge to what Straight Lines <\/strong>do, but they are the latest Welsh export emulating the successes of The Blackout and Kids In Glass Houses, and their catchy, hook-laden rock makes it easy to see why, instigating the first (and, mercifully, last) mass conga of the day.<\/p>\n

Marmozets <\/strong>are a very young band and their excitement simply at being onstage is endearingly clear \u2013 bassist Will Bottomley\u2019s vim briefly boiling over as he tosses a floor tom into the air \u2013 much to the delight of the audience (and tense slow motion horror of the sound guy). A collision of Human Waste Project and the more modern hardcore of Rolo Tomassi, Marmozets are a raw, instinctive band, and leader Becca Macintyre has a rare charisma that will doubtless see them soar.<\/p>\n

Few frontmen (or women) in the world can match the cutting poetry with which Andrew Falkous articulates his acerbic world view, and Future Of The Left <\/strong>proceed to bludgeon a depressingly perplexed audience with their hypnotic brand of The Jesus Lizard-meets-Devo-meets-Chris Morris skulduggery, even airing a couple of gems from the McLusky back catalogue. Sigh. Your loss, Merthyr, your loss.<\/p>\n

One of the most anticipated performances of the weekend is a reformed A<\/strong>, complete with Radio 1\u2019s Daniel P Carter on bass. Self-effacing, underrehearsed and battling PA feedback, it is one of the messier displays of the festival, but there is still no disguising the nostalgic glee on the faces of band and audience when that <\/em>riff hits, with even The Blackout\u2019s Sean Smith jumping onstage to join in.<\/p>\n

It is down to Kids In Glass Houses<\/strong> to round a magnificent weekend off and, although Skindred have set the bar high, they still do a sterling job of getting everyone bouncing, chanting and generally going nuts. The band\u2019s obvious enthusiasm for headlining so close to home has an infectious magnetism that spreads like wildfire, and as the last of the \u2018woah-oh\u2019 singalongs ring out, it is clear the festival organisers have got their choice of closers absolutely bang on. Piled under the banner loosely termed \u2018heavy\u2019, Merthyr\u2019s was an indisputably eclectic lineup but somehow it worked, and most factions will have gone home smiling. Apart from that guy chucked out during Bastions\u2019 set for fighting: he looked pretty pissed off.<\/p>\n","protected":false},"excerpt":{"rendered":"

SATURDAY After a promising first year, Merthyr Rock returns to the picturesque surroundings of Cyfarthfa Castle, now able to attract an even higher calibre of established band and shine an even brighter spotlight on Welsh and British emerging talent. It falls to Dopamine to kick Saturday off and the local favourites do a solid job, […]<\/p>\n","protected":false},"author":29,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[459],"tags":[2284,2294,1607,2291,2289,2285,1087,757,510,2295,2293,2282,2283,637,831,2288,2286,2292,2290,2287],"class_list":["post-24114","post","type-post","status-publish","format-standard","hentry","category-review","tag-2284","tag-a","tag-bastions","tag-blowgoat","tag-buried-in-alaska","tag-dopamine","tag-exit-international","tag-exit_international","tag-future-of-the-left","tag-kids-in-glass-houses","tag-marmozets","tag-merthyr-rock","tag-merthyr-rock-2012","tag-pulled-apart-by-horses","tag-save-your-breath","tag-skindred","tag-sonic-boom-six","tag-straight-lines","tag-the-james-cleaver-quintet","tag-yashin"],"acf":[],"_links":{"self":[{"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/posts\/24114","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/users\/29"}],"replies":[{"embeddable":true,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/comments?post=24114"}],"version-history":[{"count":0,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/posts\/24114\/revisions"}],"wp:attachment":[{"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/media?parent=24114"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/categories?post=24114"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/tags?post=24114"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}