

{"id":143,"date":"2008-06-17T22:05:00","date_gmt":"2008-06-17T22:05:00","guid":{"rendered":"http:\/\/www.thejoycollective.co.uk\/blog\/?p=143"},"modified":"2009-07-26T22:22:32","modified_gmt":"2009-07-26T22:22:32","slug":"review-errors-its-not-something-but-it-is-like-whatever","status":"publish","type":"post","link":"https:\/\/jonnyjaniero.com\/thejoycollective\/review\/releases\/review-errors-its-not-something-but-it-is-like-whatever\/","title":{"rendered":"Errors &#8211; It&#8217;s Not Something But It Is Like Whatever"},"content":{"rendered":"<p><a onblur=\"try {parent.deselectBloggerImageGracefully();} catch(e) {}\" href=\"http:\/\/jonnyjaniero.wpengine.com\/thejoycollective\/uploaded_images\/51JB0hJ3tML._SL500_AA240_-750742.jpg\"><img decoding=\"async\" style=\"margin: 0pt 10px 10px 0pt; float: left; cursor: pointer;\" src=\"http:\/\/jonnyjaniero.wpengine.com\/thejoycollective\/uploaded_images\/51JB0hJ3tML._SL500_AA240_-750734.jpg\" alt=\"\" border=\"0\" \/><\/a>Now I don&#8217;t dislike pitchfork&#8230; But god don&#8217;t their reviews half go ruddy on. In the time it takes me to read the latest 1,000 word essay on the 50 Cent album I could have flown to the Channel Islands and back &#8211; <span style=\"font-style: italic;\"><span style=\"font-weight: bold;\">probably<\/span><\/span>. There&#8217;s nothing wrong with a couple of well armed adjectives which tell you specifically what you need to know&#8230; And maybe a couple of clich\u00e9s.<\/p>\n<p>The massive clich\u00e9 about <a href=\"http:\/\/www.errors.org.uk\/\">Errors<\/a> is that they are <a href=\"http:\/\/www.mogwai.co.uk\/\">Mogwai<\/a>, version 2.0 &#8211; like the original British-post mawkers have been reborn as young keyboard adept lads who know a thing or two about dance music. I mean, this isn&#8217;t <span style=\"font-style: italic;\">really<\/span> dance music, I can&#8217;t see how any of It&#8217;s Not Something But It Is Like Whatever would work on a dancefloor outside of Clwb Ifor Bach or Ten Feet Tall, but it&#8217;s certainly dance music informed. The glitch-rhythum running through Salut France gives a massive nod to electro, and  &#8216;Pump&#8217; reads like an 80s electronic epileptic fit, creaking through a ZX Spectrum and  an Amiga.  But there&#8217;s as much here in common with the poppier end of math-rock &#8211; &#8216;Toes&#8217; is almost <a href=\"http:\/\/www.myspace.com\/foals\">Foals<\/a> esque, without the repetitive and irritating stupid vocals &#8211; and its not all constantly boppy. There are many serene and quiet moments &#8211; although these often build into wall attacking mounds of out of kilter jerking. My favourite Oxbridge Garageband user George Pringle (bout time I wrote about her init) also contributes vocals on Crystal Maze, providing a post-party introspective interlude to the albums insecure hedonism.<\/p>\n<p>However it can&#8217;t be avoided that their bosses at Mogwai\/Rock Action HQ also have a massive foot in the door. The sound the Scottish Band have perfected since 2001&#8217;s Rock Action &#8211; which has built on Slint&#8217;s formula of cinematics and turned it into something more sharp and to the point, achieving the same effect in half the time but without losing its atmosphere building qualities &#8211; is certainly the inspiration behind much of Errors&#8217; guitar work. It&#8217;s not that they have ripped them off &#8211; infact its brilliant to see a band take Mogwai&#8217;s sound and not hopelessly ape them for a change. Errors have actually moved Mogwai and the genre on, possibly to the point where Errors are completly un-genre pigeonholeable. The band criss-crosses math-rock, post-rock and any itchy form of electronic music you care to mention &#8211; giving plenty to unwrap and unfold on repeated listens. Its not just something, but it is like whatever, init?<\/p>\n<p>Errors are playing Clwb Ifor Bach again on Saturday June 28. Said album is in Diverse and Spillers nowwww.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Now I don&#8217;t dislike pitchfork&#8230; But god don&#8217;t their reviews half go ruddy on. In the time it takes me to read the latest 1,000 word essay on the 50 Cent album I could have flown to the Channel Islands and back &#8211; probably. There&#8217;s nothing wrong with a couple of well armed adjectives which [&hellip;]<\/p>\n","protected":false},"author":7,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[747],"tags":[663],"class_list":["post-143","post","type-post","status-publish","format-standard","hentry","category-releases","tag-errors"],"acf":[],"_links":{"self":[{"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/posts\/143","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/users\/7"}],"replies":[{"embeddable":true,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/comments?post=143"}],"version-history":[{"count":0,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/posts\/143\/revisions"}],"wp:attachment":[{"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/media?parent=143"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/categories?post=143"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/jonnyjaniero.com\/thejoycollective\/wp-json\/wp\/v2\/tags?post=143"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}